I wish more band sites looked like this. Rokk n' Roll indeed. So much more fun to explore than some designer's idea of stark and powerful.
Poke around long enough, and you'll find these:
Sheena and the Rokkets - Oldsmobile Rock
Sheena and the Rokkets - Stiff Lips
They've got a ton of music up there, a lot of it in RealAudio. And it squirms back and forth between Grease Soundtrack doo-wop and punk. Then there is the ska take on the Ramones. Wow, another obscure Japanese bank takes apart rock and roll and puts it back together in it's own excellent way. This band has been doing it for 25 years.
posted by bendy @ 10/30/2005 12:54:00 AM [permanent link]
blackstrap still bass fishing, playing Cramps covers
Well, we've had two different bass-playing madmen sit in with us for two different gigs. And and the gigs went well and they're continuing on in Eliza and Mr Surly's other musical projects. But me and Eliza and Mr Surly had a power lunch at the Blackstrap.org dining hall, and decided to continue our search. So if you, dear reader, also live in these parts, and play bass in these parts, and are liking of what you are hearing on this website, get in touch.
Email us at bassplayer(at)blackstrap.org
In the meantime, we're working on doing our own recording, and some recordings-in-progress will be posted on this website for your advice and abuse. But here's a mono practice take from August. We were contemplating performing as the Cramps at an all-covers show. This is a run through a number by Durham-born Link Wray, which the Cramps refashioned into "Sunglasses After Dark".
Blackstrap - Link's Sunglasses
Hear that? There's no bass! Call us up and insert your thunder.
posted by bendy @ 10/26/2005 12:27:00 AM [permanent link]
We're getting hits on this post because of Link Wray's death. I'm truly sad. He was one of my heros, and I'm still kicking myself that I didn't make it to the Wray/Flat Duo Jets show at the Local 506 about seven years ago. A freind saw him that same time in NYC, and said that Link possesed the skinniest palest set of guitar arms he'd ever seen.
said bendy, at
11/21/2005
Blogger Reverend Frost has posted the songs you'll want to be playing.
Electroclash moves on
Three years ago, ADULT. and Ladytron were at the head of the pack in the sorta-80s sounding synth-based music tagged Electroclash. Part of the appeal of both bands was how emotionless the music was- they took the stiff delivery of early new-wavers like
Lena Lovich and Flying Lizards and made it even less rocking, more oppressive.
Both bands have released records this year that are noticeably closer to rock. There were clues to the change- ADULT did a split with the Dirtbombs, and Ladytron curated a comp of their favorite music featuring the likes of The Fall and My Bloody Valentine. ADULT. has added a bassist, their latest tracks feature murky, heavily chorused basslines. And some of the new Ladytron sounds like, well, MBV. Unfortunately, Ladytron doesn't add a whole lot to that approach. If Witching Hour doesn't have anything as fashion-runway detached as their earlier "Seventeen" and "Blue Jeans", the latest single "Destroy Everything You Touch" is a pretty good continuation of their ABBA on heroin sound. "amTV" is even better- hope it's the next track they push.
ADULT, though, they're onto something- they're recovering goth and industrial sounds from the food court. The couple who are the principles of the band also restore old houses in Detroit, and I gotta assume that this provided the setting for the great video for "In My Nerves". It reminds me of Flowers of Romance era PiL. Anti-rock at it's most corpselike.
posted by bendy @ 10/18/2005 12:18:00 AM [permanent link]
Blackstrap gig: Early on Saturday, Oct. 15
Marvfest is a benefit for leukemia and lymphoma, organized by Shirle from Gerty, to help out the cause and her "second dad" Marv Savage.
We're playing on the second night of the fund raiser. Saturday, October 15, 2005 at 305 South, Durham. It starts at 7:00 PM, and we'll be towared the earlier part of the night.
Also with:
I think I better turn up the reverb and compressor for this gig, if we're gonna fit in. Sustaining seems to be the theme.
posted by bendy @ 10/13/2005 10:05:00 AM [permanent link]
I think your guitar tone is insane enough as it is, man.
said
10/25/2005
Mr. Surly has started blogging too
Mr. Surly, drum pounder and all-around bullshit detector for Blackstrap, is also doing some music blogging. His first post can be detected here: Cold Off the Press.
posted by bendy @ 10/11/2005 01:04:00 AM [permanent link]
How much do they rock?
Ning, a new online service lets you create little social applications on the fly. Here's a nifty hot-or-not one that let's you be the judge of how much they rock
http://doirock.ning.com/
posted by bendy @ 10/05/2005 10:11:00 AM [permanent link]
White Williamsburg
Interesting editorial about "Kill Whitey" hip hop parties in Brooklyn. This has the ring of truth to it, but who knows what the reality is? Ugly, very ugly the more I think about it, the sort of thing you hear college fraternities busted for. Nerd kids move to NYC, become the popular kids of their own boho scene, and get just as viscous, and try to pass it off as wit.
To compare and contrast: freak-folk artist Devendra Banhart has a new song called "Chinese Children" that's so joyfully air-headed it transcends it racial weirdness, though it's probably his delivery that makes the song work. There's not a hint of the fear and exclusivity that make the parties described above sound so mean-spirited.
posted by bendy @ 10/04/2005 09:32:00 AM [permanent link]
Some more info on this from the Village Voice. One of the organizers is black.
said bendy, at
10/07/2005
This post has been removed by the author.
said Miss Tanya, at
10/18/2005
You know, you read _Rip It Up and Start Again_ and you realize that many of the original post-punks *revered* black culture without patronizing it. They'd speak with awe, and not a little trepidation, of going to illegal reggae parties in London and early rap jams in the Bronx. You can tell how much they loved the music. Today's white hipsters would rather engage in minstrel shenanigans (in a location not far from the actual ghetto) with their white friends. "Kill Whitey?" Ha. More like "Indulge Your Inner Whitey."
said Miss Tanya, at
10/19/2005
Blackstrap is a rockpunk band that was formed in 2002 by several
disgruntled music fans. Some had played in bands for years, some had
never been involved in music. All of us were upset with the
direction the USA was moving. As you can tell, our impact on all that
has been overwhelming.
We broke up in 2004, just before releasing a debut EP. We still feel
bad about messing up 307 Knox Records
like that. We got back together in
2005. We might drive each other crazy again, so no promises.
We're a band that doesn't have many options as far as
money and time and touring and all those other thing that could make a
band be your life. The web is the main way we promote
ourselves. We figured out we should share what meager knowledge we have
obtained.
Websites are a lot of work to figure out, and don't work any magic
on their own. Most people who view your website are already going to know you exist.
Just having a website doesn't mean anyone is going to visit. So don't
worry about securing an Internet domain right away. Stick some
music on MySpace,
and then participate in sites that might actually drive interested
listeners to your music. Blackstrap gets more hits from our link
on ncpunkonline.com than from
higher-profile sites where we get lost in the shuffle.
There are advantages to having your own custom built website and
domain name, but it's only as useful to the extent that it gets linked to.
Here are some sites that are important and help to get noticed. They aren't all music sites, specifically. Alot of them require participation. But hey, you wanted to be on stage, right?